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Harmonia Ensemble 1989-2013

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Orio Odori, Clarinet  - Damiano Puliti, Cello - Alessandra Garosi, Piano - Paolo Corsi, Drums and Percussion

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Harmonia was founded in 1991 by musicians coming from classical backgrounds who accepted Giampiero Bigazzi's proposal from Materiali Sonori to create an open and innovative group dealing with the musical forms most sensitive to the changes of our time (minimalism, for example, and jazz).

The trio formed by Orio Odori, Alessandra Garosi and Damiano Puliti made their recording debut with a CD dedicated to Nino Rota, which was released in 1992 in Italy by Materiali Sonori and in 1993 in France by IMP. From 1996 to 2000 the project was resumed with the performance for video and orchestra L'Uomo dei Sogni - Omaggio a Federico Fellini.

 

In 1993 the second CD was released, In A Room, which collected all the compositions made for the group by English composer Roger Eno.

In 1994, also by the same composer, the mini-CD Classic Music For Those With No Memory was released. The group gave many concerts with Eno and those two records were a considerable international success (In A Room was also released in Japan), establishing Harmonia as one of the most interesting ensembles of new European music.

 

In 1995 Harmonia began to collaborate with the English composer Gavin Bryars and in 1999 The North Shore/Intermezzo/Allegrasco was released for the New Classics series, re-elaborations and new compositions created especially for this project.

 

In 1994, the CD Harmonia Meets Zappa was released. With an instrumentation far removed from that used by Frank Zappa and with a spirit free from simple celebration, Harmonia revisits his corrosive and often provocative music, demonstrating how barriers and limiting patterns can be overcome. The CD includes arrangements of fundamental pages of Zappa's production, and some of the group's compositions are dedicated to the great Baltimore guitarist. The concert with music by Zappa (The Zappa Concert) was repeated between 1994 and 1999 in seventy cities in Italy, Holland, Belgium and Switzerland.

At the end of 1996, with an introduction by Enrico Ghezzi, a courageous new CD was released, Events Line, entirely dedicated to the group's own compositions and the sounds and sensitivities that cross the planet. With this concert, Harmonia and Materiali Sonori became promoters of solidarity initiatives for the reconstruction of the Sarajevo Conservatory Library and in favour of the Muzicki Centar Pavarotti in Mostar.

 

In 1997, with music by Orio Odori for trio and a varying number of brass instruments (from one to five), Harmonia created a new soundtrack to be performed live for Ejsenstein's masterpiece La Corazzata Potemkin and participated, with Giancarlo Cardini, Arturo Stalteri, Paolo Carlini and Mauro Castellano, in Paolo Lotti's latest album Hendrix, dedicated to the American guitarist Jimi Hendrix.

 

This record marked the beginning of Harmonia´s collaboration with percussionist Paolo Corsi, who would play an important role in renewing the group.

From 1999 to 2000 they worked on the album Fellini - L'Uomo Dei Sogni, which included new songs and new arrangements for a large ensemble of Nino Rota's music. The album was released in April 2001.

In the same year, they collaborated with guitarist Giorgio Albiani and the vocal group Viulan, playing on their album La Notte di Valentina, and began collaborating with the Macedonian Kocani Orkestar for the project Ulixes, which was released on disc in 2002. The following year, organist Riccardo Tesi invited Harmonia to perform a recital at the Stazione Leopolda in Florence, on the occasion of the cultural activities organised by Fabbrica Europa. In addition, the show Antigone, with music by Orio Odori, performed by Harmonia, and the programme Fra Sacro e Profano, premiered at the Pomposa Music Festival in Florence, came out at the Teatro Verdi.

 

After a couple of years in which the group did not produce any new projects, they resumed intense activity in 2005. In fact, they began a collaboration with Francesca Breschi, a wonderful vocalist from Giovanna Marini's legendary quartet, with whom they put on a programme on the music of Area.

In 2005, a new Harmonia Ensemble recording was released: D.D.E. Dieci Danze Erotiche Eretiche with music composed entirely by Orio Odori.

From the production with Independent Recording in Mexico comes the collaboration with Kafka Ensemble directed by Steven Brown, which will be followed by a final record work The Yellow Penguin with music by Frank Zappa Orio Odori and Paolo Corsi.

A Mass for the Poor
The centrality of the concert is held by a composition by Erik Satie rarely performed and read independently.
The entire concert is traversed by a subtle but tenacious search for meditation and a possible new relationship between sound and evocation, a music that is slowly and slightly curious about the suggestions of the spirit. It humbly attempts an interpretation of today's needs and of the many 'poverties' that cross the planet. To understand ourselves and the world, images are not enough, we must begin by listening.

              “The Laic Mass” points to a meditation research and to a possible new relation between sound and evocation…a music which finally comes to be curious towards spirit athmospheres.
          With its own mass, Harmonia tryes to express its interpretation of today’s poverties.
           Just an invitation to listen each other much more, ruther than looking images and run towards nothing.


Musiche: Jesus blood never failed me yet – Intermezzo (G. Bryars); Interlude (R. Eno); Frates (A. Pärt); Andante Religioso (G. Rossini); Messe des Pauvres (E. Satie); Pie Jesu (A. Lloyd Webber); Mururoa Kyrie (D. Puliti); Sanctus (A. Garosi); Alleluia (O. Odori)

“Ulixes”    Harmonia Ensemble & Kocani Orchester

Musiche: Ulixes (O. Odori - G.P. Bigazzi); Polyphemus (O. Odori); Circe (O. Odori); Calypso (A. Garosi); Hades (O. Odori - G.P. Bigazzi); Sirene o della fantasia (O. Odori); Nausicaa (D. Puliti - N. Cok Rakia); Me qué, Telemachus me lé (D. Puliti); Sweet Life (O. Odori); Nessiah (O. Odori)

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"L'Uomo dei Sogni"
Performance inspired by Federico Fellini and Nino Rota, visions and sounds of the greatest italian movies and artistic adventures

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Dieci Danze Erotiche e Eretiche

offers ten new compositions by Orio Odori, freely inspired by the ancient culture and sense of freedom and independence of the Etruscans, written especially for this group: very characteristic themes, steeped in popular moods, sensual and at the same time disruptive, and without apparent stylistic truths. A work that expresses all the rhythmic energy and melodic force of Orio Odori's compositions, as well as the great performing skills of the four musicians, including Odori himself, who make up the ensemble.

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King Kong Concerto, Frank Zappa
Rock & Jazz da camera

“….made to answer at the most peculiar question about concepts of continuityà: how can we put together all those different thigs which have nothing to do one with the other, making another absurd thing?...”
Frank Zappa

<<……… exiting new performances of Frank’s sometimes unconventional compositions, look no further than Harmonia.
Harmonia is an Italian ensemble panelled by the engaging talents of Orio Odori/clarinet, Damiano Puliti/cello, and Alessandra Garosi/piano, together with Paolo Corsi/Percussions, who take some of old mother Zappa’s best out of the rock arena and place them in intimate chamber settings, yes, here the Low budget orchestra has shrunk to trio size.
Does that sounds strange? It shouldn’t. Zappa himself was inspired by (and borrow from) from the classical world; does anyone recall names like Varese & Stravinsky.Just look at his work with Ponty on King Kong or the Perfect Stranger or his London Sinphony recording, or the Yellow Shark.
With a cello, a clarinet, a piano and harpsichord and percussions electronics, deft fingers, wit, and talent, Harmonia presents 14 lovely numbers of Zappa as witty and enchanting chamber fare.
Along with a few excellent Zappa-inspired compositions of their own …..they examin such gems as Peaches in Regalia, Son of Mr Green Genes, Waka/Yawaka, What’s New in Baltimore, and an incredible version of Hungry Freaks, Daddy….quirky, charming, finely-wrought, and melodic, (sounds just like a Zappa record doesn’t it?)
Harmonia is an absolute must for all Zappaphile!....>>
                                                                                       J.Pulver
The Music Advocate

 

King Kong concerto was boorn on 2002, eight yers after “Harmonia meets Zappa”, the discographic work by the italian label Materiali Sonori which made Harmonia famous alla over the world.
Today this recital changes again, in spite of some pieces which preserves the same titles and inspirartions, everything changes around, as life does.
Zappa’s music is always new; because of the larg amount of interpretations, Zappa,s music offers infinitives adventures. Harmonia never stopped to be inside it.
King Kong concerto is now inspired by the album “The Grand Wazoo”, and concieves new inedited about music by Stravinsky e Sostakovic.
Percussions and keyboards always play games with electronics, but the main attention is given to the acoustic “Harmonia” sound.

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1995Music by: Peaches en Regalia - What’s New in Baltimore? - Son of Mr. Green Genes - Muffin'Man - King Kong - Alien Orifice – Lumpy Gravy (F. Zappa); Gerontocrazia (from Area); Expedio - Iudixio – Epico (O. Odori)

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